Brief jusifications Part 1

Being that my snarky reserves are currently being tapped for the upcoming travelogue, as well as yet another script I'm working on, I feel that utilizing my funny bone for a vanilla blog entry would be squandering my talents. So instead I'm going to use it to plug my top ten movies of all time, and hopefully compel readers to watch them, if only so I can say "Haha, if you had listened to me sooner, you would've embraced this cinematic nirvana much earlier, you poof!" So without further adieu, here we go:

Blade Runner: I feel as though this cannot be said enough: Blade Runner is one of the most relevant movies ever made, which is even more impressive considering it was made over 25 years ago. Full of heavy thematic material, such as what it means to be human, memories, death and revenge, director Ridley Scott's opus also contains pertinent questions for the 21st century. What happens when we create sentient beings capable of emotion? Are they truly human? Are they lesser beings? The marvel of the film is that it poses all these philosophical ponderings without weighing down the rest of the film. It's as perfect as perfect gets.

The Good, The Bad, and the Ugly: Sergio Leone is a master of style if nothing else. But the final installment in the Man with No Name trilogy is easily the greatest, with interesting characters, a mesmerizing score from master Ennio Morricone, and wicked gunfights. All of this is wrapped up in Leone's trademark style; the panoramic shots of the vast and barren desert, the extreme close-ups in the duels, and a simultaneous fast and slow pace. There's no questions for the ages here; it's three-way hunt for treasure with cowboys and guns. And I wouldn't have it any other way.

Apocalypse Now: Before Francis Ford Coppola went into a seemingly perpetual slump in his career (pretty much anything after the 70s), he directed what's considered one of the finest war films ever. Easily dwarfing the overrated Full Metal Jacket and Platoon, Apocalypse Now succeeds due to Coppola's spotless direction and brilliant thematic material. Time after time, war has been portrayed as ugly and horrid, but this film actually manages to make it seem fresh by juxtaposing it alongside one man's descent into madness as he hunts down someone even crazier. Combine it with Martin Sheen and Marlon Brando's mindblowing performances and you have a recipe for a movie that's probably the best of its decade.

The Dark Knight: Now this is one that everyone's probably already seen. Christopher Nolan's gritty reinvention of the Caped Crusader was excellent in Batman Begins, but the inner conflict, both in Bruce Wayne's mind and in the city of Gotham doesn't truly kick in until the Joker shows up. Nolan's take on the dichotomy of the two characters, as well as Harvey Dent's insane quest makes this not just an oustanding summer movie, but an intriguing character study of the Dark Knight and his villains. Plus, Heath Ledger as the Joker, come on now.

Trainspotting: One of Danny Boyle's earliest works is also his greatest and most energetic. Establishing himself as a premiere of style, Trainspotting transcends the label of "drug movie" and becomes something else entirely. With a frenetic pace and raw depictions of the drug scene in Edinburgh, combined with some very sympathetic characters, Boyle's work is special in more ways than one. Though it's a very serious film at heart, it's also filled with hilarious dialogue and sequences that truly make it special.

PS. Part 2 coming tomorrow. Or the next day. Or next month. Or something.